Cosmic Dolphins Beach Towel, 2019, 150 × 73 cm

Cosmic Dolphins Bech Towel, 2019, oil and spray on canvas, 150 x 73 cm

All Inclusive, 2019, oil and spray on canvas, 162 × 130 cm

All Inclusive, 2019, oil and spray on canvas, 162 × 130 cm

Pizza Hot, 2019, oil and spray on canvas, 16h x 12w in

 

Hola, Soy Paris, 2019, oil and spray on canvas, 64h x 45w in

 

Monster, 2019, oil and spray on canvas, 9h x 6w in

 

Palote Sunset Beach Towel, 2019, oil and spray on canvas, 59h x 29w in

 

Pool Party, 2019, oil and spray on canvas, 39h x 32w in

 

BEL FULLANA

Isla Bonita

May 22 – July 7, 2019

Opening Reception: Wednesday, May 22nd, 7-9.30 pm 

 

Freight+Volume is excited to announce Isla Bonita, an exhibition of recent works by Bel Fullana. Questioning dynamics of gender and sexuality, Fullana’s paintings employ a diverse range of painterly idioms, including elements of kitsch, abjection, and irony. Presenting the bacchanalian summer scene of Mallorca and its influx of tourists from the perspective of a native, Fullana outlines a “parallel universe” in which “everything is fake and ephemeral, and social relations are established with an expiry date”, in the words of the artist. Evoking notions of fragility, innocence, and the ambiguous space between shame and victimization, she juxtaposes hypersexualized figures with imagery reminiscent of both childhood naivety and reckless escapism and adult depravity.

 

Tropical settings recur throughout Isla Bonita, particularly evident in Cosmic Beach Towel and Palote Sunset Beach Towel, which display stereotypical, quasi-nostalgic tableaux of island vistas; however, in Fullana’s work they are charged with an uncertain, almost threatening aura. In the former, her depiction of leaping dolphins set against a background of palm trees and a cosmic panorama recalls the cloying kitsch of the trinkets sold at seaside resort towns and boardwalks, while in the latter, a pair of embracing lovers are seemingly defaced with crude graffiti of genitalia. Portraying a sort of emptiness or void within paradise, these works blur the line between reality and fantasy, creating a surreal, ambiguous site that parallels the ways in which we construct idealized social and geographic mythologies. Fullana identifies this with a universal “yearning for partying, the sun, and the beach that is repeated in multiple places worldwide”, a setting wherein the individual “is abstracted from his daily life and allowed to become a parody that exists only in that environment” for a finite, compartmentalized period of time.

        

Burger Queen, Kebab Pizza, Pizza Hot and Monster reveal the material detritus of these holiday fantasias, encapsulating the mixture of constant stimulation, vanity and materialism, and laissez-faire sexuality that characterizes the escapades of summer holiday season. Rendered with thick, impasto strokes, Fullana transforms the seemingly banal accoutrements of vacation life into loaded symbols of consumption, escapism, and exploitation, presenting a remarkably attentive, forensic account of the Mallorca summer season.

 

Fullana’s depiction of women is particularly striking; confronting conventional notions of femininity, her figures are hypersexual, hedonistic, and often frantic, their countenances distorted and stained with smeared makeup, as in Koko Loko, Zombies, and Early Morning. Alluding to the comedown after a night of partying and intoxication, Early Morning is tinged with desperation and despair, offering a counterpoint to the playful sexual freedom displayed in All Inclusive, Hola, Soy Paris, and Pool Party.

 

Bel Fullana was born in 1985 in Mallorca, Spain and studied Fine Arts in Sant Jordi University of Barcelona. She has had solo shows at Arts+Leisure, NY, NY; Galería Herrero de Tejada, Madrid, Spain; L21 Gallery, Mallorca, Spain; Kubik Gallery, Porto, Portugal and in the Vitrine of Kunsthalle Sao Paulo, Brazil. Her work has been shown In Art Fairs like Arco Madrid, Spain; Chaco, Santiago de Chile; JustMad, Madrid, Spain; Drawing Room, Madrid, Spain; Art Copenhagen, Denmark; Estampa, Madrid, Spain. She received The Prize Ciutat de Palma of Visual Arts in 2017 and had an artistic residence at Panal 361, Buenos Aires, Argentina in 2014.