Ezra Johnson, Crowded Platform, 2017, Collaged oil on linen, 83h x 48w in

Ezra Johnson, Flashlight, 2017, Collaged oil on linen, 72h x 45w in

Ezra Johnson, Pirate, 2017, Oil on linen, 84h x 48w in

Ezra Johnson, Job, 2017, Oil on linen, 36h x 33w in

Ezra Johnson, Protest, 2017, Oil on linen, 41h x 50w in

Ezra Johnson, Mother, 2017, Oil on linen, 44h x 25w in

Ezra Johnson, Pirate II, 2017, Oil on linen, 84h x 48w in

Ezra Johnson, Mother with Child, 2017, Acrylic, oil, and enamel on paper, Framed: 50.50h x 29w in

Ezra Johnson, Trees in My Backyard, 2017, Acrylic, oil, and enamel on paper, Framed: 31h x 31.50w in

Ezra Johnson, Neurology, 2017, Acrylic, oil, and enamel on paper, Framed: 22.50h x 24w in

Ezra Johnson, Psychic Reading, 2017, Acrylic, oil, and enamel on paper, Framed: 11.50h x 23w in

Ezra Johnson,Cat Patrol, 2017, Acrylic, oil, and enamel on paper, Framed: 20h x 24w in

Ezra Johnson, Hair, 2017, Acrylic, oil, and enamel on paper, Framed: 22.50h x 17w in

Ezra Johnson, Backyard Painter, 2017, Acrylic, oil, and enamel on paper, Framed: 18h x 20w in

 

Ezra Johnson, Landscape with Figure, 2017, Acrylic, oil, and enamel on paper, Framed: 22h x 34w in

Ezra Johnson, Pink Trees, 2017, Acrylic, oil, and enamel on paper, Framed: 17h x 24w in

Ezra Johnson, Trees, 2017, Acrylic, oil, and enamel on paper, Framed: 18.50h x 33w inches

Ezra Johnson, Peace Process, 2017, Acrylic, oil, and enamel on paper, Framed: 14h x 18.50w in

Ezra Johnson, Untitled, 2017, Acrylic, oil, and enamel on paper, Framed: 17h x 34w in

Ezra Johnson, Cap'n Crunch Original & Cap'n Crunch Oops! All Berries, 2017, Oil and enamel on wood, 13h x 9.50w x 2.38d in each

Ezra Johnson, Endless Surface, 2017, Stop-frame animation, 4:00 minutes long

Ezra Johnson / Cap'n Crunch /  Installation view

Ezra Johnson / Cap'n Crunch /  Installation view

Ezra Johnson / Cap'n Crunch /  Installation view

Ezra Johnson / Cap'n Crunch /  Installation view

Ezra Johnson, Cap'n Crunch,  Installation view

Ezra Johnson / Cap'n Crunch /  Installation view

Ezra Johnson / Cap'n Crunch /  Installation view

Ezra Johnson / Cap'n Crunch /  Installation view

Ezra Johnson / Cap'n Crunch /  Installation view

Ezra Johnson / Cap'n Crunch /  Installation view

Ezra Johnson / Cap'n Crunch /  Installation view

Ezra Johnson / Cap'n Crunch /  Installation view

Ezra Johnson / Cap'n Crunch /  Installation view

Ezra Johnson / Cap'n Crunch /  Installation view

EZRA JOHNSON

"Cap'n Crunch"

October 13 – November 12, 2017

Opening reception Friday, October 13th, 6 - 8:30 pm

 

Freight+Volume is pleased to present Cap’n Crunch, Ezra Johnson's fourth solo exhibition with the gallery.  This new body of work is a continuation of themes and ideas cultivated over several years and expressed between the mediums of painting, stop-frame animation, and sculpture -  a fluidity of materials and formats that has been a hallmark of Johnson’s practice since 2004.
 

The title Cap’n Crunch comes from the breakfast cereal of the same name - a mass-marketed product that both literally and figuratively sugarcoats mythologies of America’s history. The Cap’n, dressed in an American Revolutionary-style naval uniform, serves as a symbol of American imperialism and the related cliches and mythologies, as well as a beacon of hope for the artist that we might learn to shed these beliefs. Pirate shows a romanticized buccaneer (Tampa), a little beaten up, but proudly steering his vessel from some heroic or violent encounter with another boat. He wears all the accoutrements of his trade, including a peg-leg and eyepatch; he is a tragic figure, reduced to signs of his identity by a painter with equal drive towards figuration and abstraction.

 

The artist also takes inspiration from tropical, worn-out and faded cities like Tampa, Florida, where he is currently based. Johnson depicts the Florida landscape in works such as Neurology, moved by the sun-bleached colors and vacant spaces, lush vegetation and old signs, no longer legible. A series of paintings on paper show objects under the canopy of the giant live oak trees and the simplified forms their curved branches make. These works are juxtapositions of scale as well as a vision of nature looming over the feeble endeavors of humans. In particular, Trees in My Backyard references the site of the only Civil War battle to take place in Tampa, a mere 200 meters from the artist's home, and the fact that the titular trees which populate Johnson’s daily life have borne witness to the tides of history.  
 

Johnson’s work approaches painting as a crossroad where personal responses can be made to the world-at-large. The works in this exhibition explore the presence of historical themes alongside current politics and personal images,  while simultaneously playing with formal possibilities explored by heroes such as Edvard Munch, Henri Matisse, Paul Klee, and Sonia Delaunay. The resulting body of work investigates the intersection between public versus private, historical versus contemporary, and formal versus topical considerations.
 

Ezra Johnson is a painter and animator based in Florida and London. He was born in 1975 in Wenatchee, Washington and received a MFA from Hunter College in New York in 2006. He has exhibited his work at many prestigious venues such as the Hammer Museum in Los Angeles, the Nerman Museum of Contemporary Art in Kansas, Site Santa Fe Biennial, Tampa Museum of Art, the ICA in Philadelphia, as well as galleries nationally and internationally.
 

A full-color, limited edition book surveying Johnson's work from 2003 - 2017 will accompany the exhibition.

For more information, contact anna@freightandvolume.com or nick@freightandvolume.com, or call 212.691.7700.