Paige Beeber

Left Hand Stitch, 2020

Mixed medium on canvas

72h x 96w in
182.88h x 243.84w cm

PB0082

Paige Beeber

Gravity's Rainbow, 2020

Mixed medium on canvas

42h x 42w in
106.68h x 106.68w cm

PB0084

Paige Beeber

Trick Mirror II, 2020

Mixed medium on canvas

96h x 72w in
243.84h x 182.88w cm

PB0086

Paige Beeber

Points Leading To La Sosta, 2020

Mixed medium on canvas

72h x 96w in
182.88h x 243.84w cm

PB0085

Paige Beeber

Spring Garden, 2020

Mixed medium on canvas

36h x 48w in
91.44h x 121.92w cm

PB0088

Paige Beeber

Balcony Mentality, 2020

Mixed medium on paper

11h x 8.50w in
27.94h x 21.59w cm

PB0090

Paige Beeber

Blurred (Grid) Lines, 2020

mixed medium on Arches Watercolor Paper Block, Hot Press

14h x 10w in
35.56h x 25.40w cm

PB0092

Paige Beeber

The Lotus, 2020

Mixed medium on canvas

24h x 18w in
60.96h x 45.72w cm

PB0094

Paige Beeber | Farbe

January 14 – February 21, 2021

Freight+Volume is pleased to announce Farbe, an exhibition of recent mixed media works by Paige Beeber. Furthering her investigation into order and chaos from her 2020 exhibition Severed Mends,at Arts+LeisureFarbe continues Beeber’s engagement with shifting layers of painterly marks, alternating between controlled, repeating passages and nebulous, fluid washes, underscored by her incorporation of found objects. The impulse of creation is central to Beeber’s work, the crux of her artistic process, with each piece a testament to its unique circumstance of creation. A snapshot of a fleeting mood Beeber’s abstractions crystalize the atmosphere and emotional modality of discrete frames of time within the bounds of a vigorously expressive and dynamic practice.  

Immersed in this creative momentum, the works in Farbe are highly energetic, exuding the vitality and immediacy of the present. Kaleidoscopic layers of varying marks form a quivering harmony, as if vibrating with a hidden kinetic force. Beeber’s undulating surfaces evoke the momentary gestures and instincts of her process, encompassing both her self-described “kitchen sink” approach to form and color as well as the reflective, meditative turn of her repetitive marks. In Points Leading to La Sosta, the infinitesimal flux of distance between marks composing the piece’s central triangles lends a sense of frenzied euphoria, a moment of prophetic revelation. Here, in this flickering mirage, Beeber’s staccato patterns gain urgency, and evoke the elemental universality of cave paintings and other primal displays of expression.  

The textile-like appearance of these meticulously painted stitch patterns transforms the visual identity of the work, disrupting the linear reading of them as representational objects and instead projecting a sense of an organic, unified whole. In Bookends, a viscous stream of paint appears to ooze from the stitch-motif background, its liquid form and marbled hues imparting a mysterious dimensionality that adds further intrigue to the already psychologically primed composition.  

As if turned inward in contemplation, Beeber’s work resists immediate comprehension, obliging the viewer to interpret and search for shrouded meaning behind her heavily layered surfaces. Many of the works in Farbe present a puzzling nature, heightened by an elusive relationship to their titles; oblique and ubiquitous, an out of place obtuse angle appears on the left side of Left Hand Stitch, while Gravity’s Rainbow pours a rainbow that gravity has rendered a puddle. This game-like interplay of language and abstraction animates Farbe, lending a self-awareness to Beeber’s painted strokes and marks.  

Paige Beeber (b.1993) received her BFA from Alfred University in 2015. Soon after graduation she relocated to New York City where her work has garnered her recognition through solo exhibitions at Sweet Lorraine Gallery in 2018, Arts+Leisure in 2020, and a forthcoming exhibition at Freight+Volume in 2021. Beeber’s paintings have also been shown nationally and internationally in group exhibitions such as:Velvet Ropes, Soulland, Coppenhagen in 2019, SRISA Gallery, Florence, Italy in 2014, and the Walt Whitman Museum in 2011. Beeber has participated in the 2019 and 2020 DNA Residency as well as the Vermont Studio Center Residency where she received the VSC Merit Grant in 2016 and 2019.