Jennifer Sullivan, Still from Adult Movie, 2011

Tom Sanford, Whitney Houston, oil on wood, 40 x 48 inches

Greg Miller, The Erection Set #2, 2012, mixed media collage, 48 x 60 inches

Maria Kreyn, Fractal Sex, oil on linen, 36 x 30 inches

Ryan Schneider, As Above So Below, oil on canvas, 42 x 36 inches

Emet Sosna, Meyoube, 2012, oil, ink, acrylic, silk, on papers adhered to canvas, 60 x 36 inches

Rebecca Goyette, Fuck Platter movie poster, 2012, c-print

Rebecca Goyette, Lobsta Rollin' movie poster, 2012, c-print

Rebecca Goyette, Touch My Hull movie poster, 2012, c-print

David Baskin, Dildos/Cosmetic Bottles, 2010, cast urethane rubber, pigment, 16 x 9 x 12 inches

Russell Tyler, Fuck Face, 2012, oil on canvas, 14 x 11 inches

Aaron Johnson, Turduckin', acrylic, stinging nettle, jute rope, hair, polyester net on linen, 48 x 60 inches

Paul Brainard, The Birth of Tim Tebow, 2012, pen, pencil, collage on paper, 26 1/2 x 39 inches

Hye Rim Lee, Still from Strawberry Garden, 2011, 3d animation, stereo sound, 2:42 minute loop

Johnston Foster, El Natural, 2012, 6 x 3 feet
*Courtesy RARE Gallery, New York

Lance Rautzhan, Yer Mom, 2012, acrylic enamel, ink, paint marker on canvas, 40 x 30 inches

David Humphrey, Clown Girl, 2009, acrylic on canvas, 44 x 54 inches

Jazz-Minh Moore, Tree, 2012, acrylic, resin on birch panel, 5 x 7 inches

Jazz-Minh Moore, Broom Closet, 2012, acrylic, resin on birch panel, 5 x 7 inches

Jazz-Minh Moore, Thailand, 2012, acrylic, resin on birch panel, 5 x 7 inches

Jazz-Minh Moore, Parking Lot, 2012, acrylic, resin on birch panel, 5 x 7 inches

Ulrike Theusner, Beverly, 2012, ink, gouache on paper, 32 x 24 inches

Ulrike Theusner, Trish, 2012, ink, gouache on paper, 32 x 24 inches

David Kramer, 70's Porn, 2012, oil, lightbulb, gel on canvas, 57 x 48 inches

Austin Eddy, I'm Outta Here B, 2012, acrylic, ink, oil pastel, cardboard on canvas, 20 x 24 inches

Duncan Hannah, RATED XXX, 2010, collage, 14 x 11 inches

Andrew Smenos, She's a Fox, 2012, oil on canvas, 24 x 24 inches

Joe Heaps Nelson, Dirty Dozen (Public Display of Affection), 1997, oil, enamel on canvas, 102 x 60 inches

Andy Cross, Untitled-Pyramid Love, 2012, oil on collaged canvases, 60 x 45 inches

Kevin Kay, Les Femmes Cigarette, 2005, mixed media on paper, 29 x 43 inches

Ion Birch, Untitled, graphite on paper, 25 x 15 inches

Ion Birch, Untitled, graphite on paper, 15 x 19 inches

Richard Butler, Untitled, 2012, oil on canvas, 24 x 20 inches

Nicole Wittenberg, Two Guys in a Bucket, 2012, ink on paper, 24 x 19 inches

Erik Den Breejen, It's a Dirty World II, 2012, acrylic on canvas, 42 x 54 inches


August 16 – September 22, 2012


@ FREIGHT+VOLUME, AUG 16 – SEPT 22, 2012

Featuring: Michael Anderson, David Baskin, Chris Biddy, Ion Birch, Paul Brainard, Shiva Burgos, Richard Butler, Francesco Civetta aka DJ CASH, Andy Cross, Jules De Balincourt, Erik Den Breejen, Kent Dorn, Joel Dugan, Austin Eddy, Johnston Foster, Rebecca Goyette, Duncan Hannah, Daniel Heidkamp, David Humphrey, George Jenne / Damian Stamer, Aaron Johnson, Ezra Johnson, Kevin Kay, David Kramer, Maria Kreyn, Hye Rim Lee, Travis Lindquist, Noah Lyon, Panni Malekzadeh, Andrea Mary Marshall, Greg Miller, Jazz-minh Moore, Joe Heaps Nelson, Lance Rautzhan, Max Razdow, Tom Sanford, Bill Saylor, Kristen Schiele, Ryan Schneider, Andrew Smenos, Emet Sosna, Jennifer Sullivan, Ulrike Theusner, Russell Tyler, Eric White, Genevieve White, Kelli Williams and Nicole Wittenberg.

When Robert Aldrich released his seminal war film in 1967 The Dirty Dozen, starring a seasoned, tough ensemble cast including Lee Marvin, Ernest Borgnine, Charles Bronson, Donald Sutherland, John Cassavettes, Jim Brown and Telly Savalas, he created a genre not just pertinent to film but to other art forms as well. Music, writing, dance and the visual arts also have their renegades, their outcasts and outsiders, who prevail against impossible odds to find redemption through skill, cunning, madness – and their art.

The Double Dirty Dozen (& Friends) is an exhibition about the quest for freedom of expression – sexual, intellectual, spiritual, political - and ultimately salvation through making art. While most of the participating artists are not ex-cons, in the process of curating this unruly group I felt somewhat like the character Lee Marvin plays in the film, Major Reisman, assembling his posse of ne’er-do-wells for a suicide mission, in the face of art world establishment. The subject as presented to the double dirty dozen and their friends (which quickly morphed into a group of fifty rabble-rousers) was simply, sex: as explicit, raunchy, funny, bizarre, obscure or fetishistic as possible. Hence the “ratings” disclaimer on our doors during the months of August and September: “No One Under 18 Admitted.” While the goal was not to assassinate a group of German war criminals in a French Chateau, as was the task set forth for the ex-cons-cum-soldiers in the film, the challenge to win over the hearts and libidos of summer/early fall New York gallery-goers was no less daunting.

Here’s just a sampling: Maria Kreyn’s Fractal Sex, featuring a threesome in full-on auto-eroticism; Tom Sanford’s interpretation of Whitney Houston taking her last bath; Jules de Balincourt’s subtle wink and nod to the Sandusky scandal in Early Childhood Development Center; Johnston Foster’s gnarly, oversize sculpture of a dirty old man, El Natural; Jennifer Sullivan’s multi-roled Adult Movie video; Francesco Civetta aka DJ CASH’s Sex Ed 101 romp; Rebecca Goyette + Duke Riley’s tongue-in-cheek X-rated Lobsta Girl adventures; David Humphrey’s dark humor via his red-headed Clown Girl; Aaron Johnson’s bizarre Turduckin’, depicting a nubile blond having multiple penetration with live feces, complete with stinging nettles; Greg Miller’s prurient billboard-collage male gaze; Eric White’s fur-lined, 50’s Coming of Age rendition; Hye Rim Lee’s digital, iconic sex; Kelli William’s exquisite Camouflage arousals; Genevieve White’s abrupt, bodacious close-ups; Daniel Heidkamp’s faux-naïf portrayal of a statuesque blonde nude, Stephi What; Panni Malekzadeh’s adolescent yearnings in Cunt Licker; Paul Brainard’s graphite slant on the kinky and bizarre in The Birth of Tim Tebow; Russell Tyler’s pastiche of blow-up sexdoll commerce, Fuck Face; Noah Lyons’ comic book relief Filth Flarn Filth; Erik Den Breejen’s raunchy rock lyric canvas, It’s a Dirty World II; David Baskin’s ironic cast rubber, dildo-shaped cosmetic bottles; Ulrike Theusner’s mannerist 19th century naughty musings and a multitude of other contributions by familiar faces and surprise guests.

I hope the viewer has as much fun delving into and experiencing this show firsthand, as I had putting it together. And that the few survivors – if any - come home triumphant, or at least find some sort of redemption.

Please join us for a rollicking celebration of The Double Dirty Dozen (& Friends) on August 16th from 6-9 pm. For more information please contact Nick Lawrence @ 212-691-7700, or


Art Lovers New York reviews The Double Dirty Dozen (& Friends)
Art Info's one line review of The Double Dirty Dozen (& Friends)